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Nubi Fluttuanti – Japanese Cinema

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Autore: Marcella Leonardi

THE HUMAN CONDITION – film series (Ningen no jōken, 1959-61), Masaki Kobayashi
PAURE E FANTASMI GIAPPONESI PER LA NOTTE DI HALLOWEEN
I AM A HERO (Ai Amu A Hīrō, 2015), Shinsuke Satō
THE GHOST OF YOTSUYA (Yotsuya Kaidan, Part I and II, 1949), Keisuke Kinoshita
PERFECT BLUE (Pāfekuto burū, 1997), Satoshi Kon
MILLENNIUM ACTRESS (Sennen Joyū, 2001), Satoshi Kon
SATOSHI KON, THE ILLUSIONIST (Satoshi Kon, l’illusionniste, 2021) Pascal-Alex VINCENT
THE OZU DIARIES (2025, Daniel Raim)
I AM KEIKO (Keiko desu kedo, 1997), Sion Sono
TOKYO GIRL (Tōkyō Joshi Zukan, 2016), Yuki Tanada
Shiguéhiko Hasumi: Another History of the Movie in America and Japan. Le scelte del grande critico per “un’altra storia del cinema”.
THE WAY OF DRAMA (Shibaido, 1944), Mikio Naruse
TSURUHACHI AND TSURUJIRO (Tsuruhachi Tsurujirō, 1938), Mikio Naruse
THE STORY OF THE LAST CHRYSANTHEMUMS (Zangiku Monogatari, 1939), Kenji Mizoguchi
Nota su Jim Jarmusch e Mikio Naruse
THE MAD FOX (Koiya koi nasuna koi, 1962), Tomu Uchida
THE BALLAD OF NARAYAMA (Narayama bushikō, 1958), Keisuke Kinoshita
SMALL, SLOW BUT STEADY (Keiko, me wo sumasete, 2022), Shō Miyake
Shō Miyake conquista il Pardo d’Oro con Tabi to Hibi (Two Seasons, Two Strangers)
BATTLE ROYALE (Batoru Rowaiaru, 2000), Kinji Fukasaku

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