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Categoria: Autori

JAPANESE GIRLS AT THE HARBOR (Minato no nihon musume, 1933), Hiroshi Shimizu
The Love of Sumako the Actress (Joyū Sumako no koi), 1947, Kenji Mizoguchi
DREAMS (Sogni – Yume, 1990), Akira Kurosawa
GATE OF HELL (Jigokumon, 1953), Teinosuke Kinugasa
AN INN IN TOKYO (Tōkyō no yado, 1935), Yasujirō Ozu
THE WILD GEESE (Gan, 1953), Shirō Toyoda
LOVE LETTER (Koibumi, 1953) Kinuyo Tanaka
WHAT DID THE LADY FORGET? (Shukujo wa nani wo wasureta ka, 1937), Yasujirō Ozu
IL CINEMA GIAPPONESE CONTEMPORANEO E LA SENSIBILITÀ DEGLI ANIME: INCROCI, SOVRAPPOSIZIONI
LAST SCENE (2025), Hirokazu Koreeda
TOKYO GODFATHERS (Tōkyō Goddofāzāzu, 2003), Satoshi Kon
THE HUMAN CONDITION – film series (Ningen no jōken, 1959-61), Masaki Kobayashi
THE GHOST OF YOTSUYA (Yotsuya Kaidan, Part I and II, 1949), Keisuke Kinoshita
PERFECT BLUE (Pāfekuto burū, 1997), Satoshi Kon
MILLENNIUM ACTRESS (Sennen Joyū, 2001), Satoshi Kon
SATOSHI KON, THE ILLUSIONIST (Satoshi Kon, l’illusionniste, 2021) Pascal-Alex VINCENT
THE OZU DIARIES (2025, Daniel Raim)
I AM KEIKO (Keiko desu kedo, 1997), Sion Sono
TOKYO GIRL (Tōkyō Joshi Zukan, 2016), Yuki Tanada
Shiguéhiko Hasumi: Another History of the Movie in America and Japan. Le scelte del grande critico per “un’altra storia del cinema”.

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